Lyrics
HeyBeen trying to meet you
Hey
Must be a devil between us
Or whores in my head
Whores at the door
Whore in my bed
But hey
Where have you been?
If you go, I will surely die
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
“Uh” said the man to the lady
“Uh” said the lady to the man she adored
And the whores like a choir
Go “uh” all night
And Mary ain’t you tired of this?
Uh
Is
The
Sound
That the mother makes when the baby breaks
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
We’re chained
At the nexus of raw energy and lyrical obscurity, the Pixies’ song ‘Hey’ stands as an enigmatic touchstone within the alt-rock panorama. This track, off their critically acclaimed 1989 album ‘Doolittle,’ operates on a frequency that oscillates between the palpable and the mystical, a feat that has intrigued music enthusiasts and scholars alike for decades.
Unraveling the meaning behind ‘Hey’ is akin to peering through a sonic kaleidoscope; the more one listens, the more patterns and colors emerge from its core. The song’s hypnotic repetition, coupled with Black Francis’ distinct vocal delivery, beckons listeners into a labyrinth of emotion and imagery that defies mere surface-level comprehension.
A Dance with the Devil and the Divine
Interpreting the opening verse, ‘Must be a devil between us or whores in my head,’ sets the stage for a conflict-ridden narrative that blurs the line between internal strife and external interference. Here, the song veers into the realm of the listener’s own experiences with temptation, self-doubt, and the sometimes torturous path toward connection with others.
The devils and whores personify disruption and distraction, their visceral imagery serving as a vehicle to deliver an age-old tale of human fallibility. The plight expressed in these lines entwines the profane with the profound, solidifying the song as an anthem for those grappling with the duality of their nature.
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The monotonous chant, ‘We’re chained,’ pulses like a heartbeat throughout the song, offering both a sense of entrapment and comfort in repetition. This mantra could signify the ubiquitous human connections that bind us, the inevitable routines of life, or even a hint at dependency, whether emotional or physical.
Each repetition of ‘We’re chained’ echoes louder in the listener’s consciousness, demanding introspection into what chains we bear and how we wear them. The litany becomes a rallying cry, an acknowledgment of shared human bondage that transcends the listener’s solitary experience.
The Conversational Mystique of ‘Uh’
The simplicity of the interaction between the man and the lady, ‘Uh’ said the man to the lady, ‘Uh’ said the lady to the man she adored,’ belies a more complex interplay. The utterance ‘Uh’ serves as a primal expression, a placeholder for myriad unspoken words and emotions that fill the gaps within our deepest relationships.
This minimalist conversation, stripped of poetry and pretense, packs a punch with its naked honesty. It suggests a language beyond words, an elemental sound that encapsulates understanding, frustration, and perhaps even a longing for something lost or unfulfilled.
Unearthing the Hidden Meaning Behind Mary’s Fatigue
The poignant question, ‘And Mary ain’t you tired of this?’ slices through the song’s facade, questioning the cyclical nature of our strivings and failures. Mary, an archetypal everywoman or perhaps a biblical reference, represents the weariness that accompanies the search for something more amid the noise of our daily existence.
This line is a wake-up call, a moment of clarity in a murky ocean of sound. It forces listeners to confront their own exhaustion with ‘the same old,’ urging a contemplation of change, a breakthrough in the monotonous ‘Uh’ that defines much of human interaction.
The Mother’s Cry: A Euphony of Pain and Awareness
In the haunting line ‘Is the sound that the mother makes when the baby breaks,’ the band pits the innocence of birth against the shattering reality of life’s fragility. This metaphor extends beyond the maternal archetype, becoming a visceral representation of the heartache that accompanies growth, change, and the consequences of our choices.
The ‘sound’ alluded to here resonates with the profundity of a world that is perpetually cracking and reforming. It embodies the pain of detachment while also gesturing at the liberation intrinsic to such moments. The song leaves us tethered to this sound, the ‘Uh’ of recognition, the sonic boom at the epicenter of human experience.
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